Published 2017-04-01
Keywords
- South Africa,
- apartheid,
- museum,
- contemporary art,
- SANG
- JAG,
- collection,
- post-colonialism ...More
Abstract
Museums are important sites of national cultural output, collective memory making, and the construction of national narratives. Contemporary South Africa is a particularly interesting place to study these processes. With the demise of apartheid, South Africa faces the difficult challenge of creating a new national identity that incorporates an examination of past oppression, yet leaves the way open for building a national identity that incorporates all its diverse groups. While social problems such as poverty, racial inequalities, disease and unemployment still remain and need to be addressed within South Africa, the museums as well as art itself can and should be treated as an outlet to reveal, question and resolve many important issues. The museums reviewed below, such as the South African National Gallery – SANG in Cape Town and the Museum Africa, Johannesburg Art Gallery – JAG, or the Apartheid Museum in Johannesburg and Art Gallery all make important contributions to this process.
References
- Arnold M., South Africa in the Nineties: The Visual Arts and Art Museums, “De Arte”, vol. 41, April 1990, s.23.
- Baines G., The rainbow nation? Identity and Nation Building in Post-Apartheid South Africa, http://www.academia.edu/926679/The_rainbow_nation_Identity_and_nation_building_in_post-apartheid_South_Africa [z 29.04.2017].
- Bazin G., The Museum Age, tłum. Jan van Nuis Cahill, New York 1967.
- Bennett T., The Birth of the Museum. History, Theory, Politics, London 1995.
- Bennett T., The Birth of the Museum, Cambridge 1995.
- Brown J. A., South African Art, Cape Town 1978.
- Burnett R., Tributaries (A View of Contemporary South African Art), Exhibition catalog, Munich1984.
- Carman J., Lissoos S., Becoming Historic, [w:] 1910-2010 One Hundred Years of Collecting: The Johannesburg Art Gallery, J. Carman (ed), Johannesburg 2011.
- Carman J., The Foundation of the Johannesburg Art Gallery, and Culture in the Service of Empire and Other Things, [w:] Proceedings of the 15th Annual Conference of the South African Association of Art Historians, Pietermaritzburg: University of Natal 1999.
- Castle E., Textured Ground, “Art South Africa” 2003, vol. 2, no. 2, s. 48-50.
- Challenge and Transformation: Museums in Cape Town and Sydney, red. K. J. Goodnow, J. Lohman, London 2006.
- Contemporary South African Art 1985-1995 from the South African National Gallery Permanent Collection, red. E. Bedford, Cape Town 1997.
- Crimp D., Civilising Rituals, London 1995.
- Crimp D., On the Museum’s Ruins, Cambridge 1995.
- Dewey J. Sztuka jako doświadczenie, tłum. A. Potocki, Wrocław 1975
- Duncan C., Cvilizing Rituals Inside Public Art Museums, London 1995. Fragmenty książki przetłumaczone na język polski w: Muzeum sztuki. Antologia, red. M. Popczyk, Kraków 2005.
- Franzidis E., Important or Impotent? The Case of the South African National Gallery, “Postamble” vol. 2, no. 2, 2006.
- Historia Afryki. Narody i cywilizacje, red. Phillip Curtin, Steven Feierman, Leonard Thompson, Jan Vansina, Gdańsk 2003
- Koloane D., Africus: The Johannesburg Biennale – A Perspective, “African Arts”, 1996 Winter, vol. 29, (no.1), s. 54-56.
- Leibahammer N., Making Links. A Resource Book on the Traditional Southern Africa Collection at the Johannesburgu Art Gallery, Johannesburg 1996.
- Martin M., Introduction, [w:] Bedford, E. (ed.) Contemporary South African Art 1985-1995 from the
- Martin M., Odds On - Creating and Maintaining a National Art Collection in South Africa, [w:] Views from the South African National Gallery Permanent Collection, Umea 2001.
- Martin M., The South African National Gallery, [w:] African Art in the Pierre Guerre Collection (Catalogue), Cape Town 1997.
- McGee J. L., Restructuring South African Museums: Reality and Rhetoric within Cape Town, [w:] New Museum Theory and Practice: An Introduction, red. J. Marstine Oxford 2008
- Mji S. N., Miejsce kobiet w demokracji RPA, [w:] South Africa - Poland: Commemorating 10th Freedom Anniversary of South Africa: Papers Presented at the Conference Commemorating 10th Freedom Anniversary of the Republic of South Africa, Jagiellonian University, May 20, 2004, red. A. Kapiszewski, Kraków 2004.
- N. Prior, Museums and Modernity: Art Galleries and the Making of Modern Culture, Oxford, 2002.
- Nanda S., South African Museums and the Creation of a New National Identity , “American Anthropologist “June 2004, vol. 106, no. 2 , s. 379-385.
- Pawłowska A., O potrzebie tworzenia kolekcji sztuki afrykańskiej, [w:] Muzeum sztuki. Od Luwru do Bilbao, red. M. Popczyk, Katowice 2006.
- Pawłowska A., Sztuka i kultura Afryki Południowe. W poszukiwaniu tożsamości artystycznej na tle przekształceń historycznych, Łódź 2013.
- Pawłowska A.,Johannesburg Art Gallery in the Context of Racial Transformation in South Africa, „CoCAin... Review of Contemporary Art Centers & Museums”, no. 7, September 2015, s. 64-67.
- Pawłowska A., South African Museums. Representation and Identity, [w:] African Studies. Forging New Perspectives and Directions, red. N. Pawlak, H. Rubinkowska-Anioł, I. Will, Warsaw 2016.
- Pearse G. E., Eighteenth Century Architecture in South Africa, Cape Town 1968.
- Pollak L., Casa Labia, Muizenberg, an Abundance of Warmth, Love and Hospitality, “South African Business Art” 2010, September, s. 12-13.
- Proud H., The Sir Edmund and Lady Davis Presentation: A Gift of British Art to South Africa, Cape Town 1999.